In a form we have no words for, and you live in it, 2015, installation, brown paper bags, binder's board, dimensions variable

In a form we have no words for, and you live in it, 2015, detail, brown paper bags, binder's board, dimensions variable 

In a form we have no words for, and you live in it, 2015, detail, brown paper bags, binder's board, dimensions variable 

In a form we have no words for, and you live in it, 2015, detail, brown paper bags, binder's board, dimensions variable

Notice Forest (Prada), 2015, paper bag, 5.5 x 13.75 x 9.75 inches 

Notice Forest (Prada), 2015, detail, paper bag, 5.5 x 13.75 x 9.75 inches 

Minding My Own Business (The New York Times), 2013- 2015, installation view, 9 newspapers, wire, glue, dimensions variable 

Minding My Own Business (The New York Times, April 6, 2013), 2014, 9 newspapers, wire, glue, 1.75 x 12.25 x 12.5 inches

Minding My Own Business (The New York Times, May 24, 2011), 2014, detail, 9 newspapers, wire, glue, 1.75 x  12.25 x 12.5 inches

Minding My Own Business (The New York Times, April 6, 2013), 2014, detail, 9 newspapers, wire, glue, 1.75 x 12.25 x 12.5 inches 

Minding My Own Business (The New York Times, December 28, 2011), 2014, 9 newspapers, wire, glue, 1.75 x 12.25 x 12.75 inches 

Minding My Own Business (The New York Times, December 28, 2011), 2014, detail, 9 newspapers, wire, glue, 1.75 x 12.25 x 12.75 inches

Minding My Own Business (The New York Times, June 11, 2012), 2015, 9 newspapers, wire, glue, .5 x 11.5 x 12.25 inches

Minding My Own Business (The New York Times, June 11, 2012), 2015, detail, 9 newspapers, wire, glue, .5 x 11.5 x 12.25 inches 

Constellation, 2012, installation, paper bags, adhesive, dimensions variable 

Constellation, Group C, 2012, paper bags, adhesive, (Paul Ka, Marc Jacobs, Barney's New York, Gucci, Harry Winston), gallery dimensions 36 x 17 x 12 inches

Constellation, Group C, 2012, detail, paper bags, adhesive (Paul Ka, Marc Jacobs, Barney's New York, Gucci, Harry Winston), gallery dimensions 36 x 17 x 12 inches

Constellation, Group B, 2012, paper bags, adhesive, (Harry Winston, Barney's New York, Coach, Paul Stewart, Barney's New York), gallery dimensions 30 x 14 x 12 inches 

Constellation, Group B, 2012, detail, paper bags, adhesive (Harry Winston, Barney's New York, Coach, Paul Stewart, Barney's New York), gallery dimensions 30 x 14 x 12 inches

Constellation, Group D, 2012, paper bags, shoebox, adhesive (Harry Winston, Bottega Veneta, Jil Sander, Agete, Alfred Bannister), gallery dimensions 28 x 12.5 x 14 inches 

Constellation, Group D, 2012, detail, paper bags, shoe box, adhesive (Harry Winston, Bottega Veneta, Jil Sander, Agete, Alfred Bannister), gallery dimensions 28 x 12.5 x 14 inches 

Constellation, Group E, 2012, paper bags, adhesive (The Twelve, Ships, Cividini, Barney's New York, Bottega Veneta, Harry Winston), gallery dimensions 62 x 12.5 x 13 inches

Constellation, Group E, 2012, detail, paper bags, adhesive (The Twelve, Ships, Cividini, Barney's New York, Bottega Veneta, Harry Winston), gallery dimensions 62 x 12.5 x 13 inches 

Constellation, Group A, 2012, paper bags, adhesive (Ralph Lauren, The Twelve, Barney's New York, Agete, Gucci, Coach, Barney's New York) gallery dimensions 52.5 x 12 x 10 inches

Constellation, Group A, 2012, detail, paper bags, adhesive (Ralph Laurem, The Twelve, Barney's New York, Agete, Gucci, Coach, Barney's New York) gallery dimensions 52.5 x 12 x 10 inches

Constellation (Issey Miyake), 2012, installation view, cut paper, thread, glue, 12.2 x 4.52 7.08 inches

Constellation (Issey Miyake), 2012, cut paper, thread, glue, 12.2 x 4.52 x 7.08 inches 

It's about me, it's about you, 2013, installation of 3 cut newspapers, thread, each 21.5 x 31.5 inches

It's about me, it's about you, 2013, detail, installation of 3 cut newspapers, thread, each 21.5 x 31.5 inches 

Yuken Teruya

The Simple Truth

March 5 – April 11, 2015

Opening reception: Thursday March 5, from 6 to 8pm

 

Josée Bienvenu is pleased to present The Simple Truth, an exhibition of works by New York based Japanese artist Yuken Teruya. This will be Yuken Teruya's third solo exhibition with the gallery. The show will feature Constellation, a large sculptural installation originally created for the 2012 Sydney Biennial; Minding My Own Business and It's about me, it's about you, two installations of cut-out newspapers; and In a form we have no words for, and you live in it, a new installation of brown paper bags.

 

Teruya manipulates everyday objects, transforming their meanings to reflect on contemporary society and culture. Using a variety of materials — kimonos, pizza boxes, newspapers, flags, shopping bags, and toilet paper rolls — Teruya creates micro universes that relate to broader concerns. 

 

"Uncovering small metamorphosis in familiar objects is an exercise which enables one to turn routine into moments of significance, making us more aware of the indefinite alterations in our surroundings." (Yuken Teruya)
 


 

In Constellation, Teruya explores the potential of shopping bags – black bags are arranged in groups of various sizes along the wall. Their dark interiors are speckled with light from hundreds of tiny cut holes. Each bag becomes both a stage with its own lighting and a source of imagery, portraying the night sky in different regions around the world. Constellation conveys the sense of cosmic wonder of looking up on a dark night. The discarded becomes the site of poetic transformation.
 


 

Minding My Own Business is a set of nine altered newspapers. Sprouts emerge from page-one photographs in the newspaper, adding a nuanced narration to the article. It's about me, it's about you is an installation based on the front page of two major newspapers from Okinawa, the artist’s homeland. Both reported the protests held on September 9, 2012 against the US and Japanese government's plans to deploy the infamous military aircraft 'Osprey'. Experimenting with words and languages, Teruya cut out the silhouettes of the sentences "It's about me, it's about you" and "There is a truth bigger than geopolitics" in Arabic, Hebrew, Farsi, Georgian and Basque. 

 

Handmade and existing bags merge in the installation In a form we have no words for, and you live in it. Minute bags become pixels of reality. The work extracts the essence of the tree, still existing in its smallest particle.

 

Born in Okinawa, Japan, Yuken Teruya received his MFA from the School of Visual Arts, New York in 2001. His work has been exhibited widely throughout the United States, Europe, and Asia, including: Dahlem Ethnological Museum, Berlin; Mori Art Museum, Tokyo; Museum of Contemporary Art Tokyo (2014); Hiroshima MOCA; The FLAG Art Foundation, New York; Seoul National University Museum (2013); Saatchi Gallery, London; 18th Biennale of Sydney; Southeastern Center for Contemporary Art, Winston-Salem, NC (2012); P.S.1 Contemporary Art Center, Queens, NY; The Mori Museum, Tokyo (2010); The Okinawa Prefectural Art Museum (2009); The Albright-Knox Art Gallery, Buffalo and FLAG Art Foundation, New York (2008-2009); The Japan Society, NY (2008); The Museum of Arts & Design, NY; ZKM, Karlsruhe, Germany; The Guggenheim Museum, NY (2007).