microwave, x, 2018
Josée Bienvenu Gallery, New York
Installation view

microwave, x, 2018
Josée Bienvenu Gallery, New York
Installation view

Richard Tuttle

New Mexico. New York. E # 8, 1998

Acrylic on fir plywood

26h x 14.25w in
66.04h x 36.20w cm

RT001

Jonathan Callan

Hope (1970), 2018

Paper

20.50h x 12w x 2.50d in
52.07h x 30.48w x 6.35d cm

JC004

Jonathan Callan, Michelangelo, 2018


Jonathan Callan
Michelangelo, 2018
Paper
48.26h x 34.29w x 10.16d cm
19h x 13.50w x 4d in
JC005
 

Beto De Volder Untitled, 2018


Beto De Volder
Untitled, 2018
Acrylic and graphite on clayboard
12h x 12w in
30.48h x 30.48w cm
BDV008
 

Beto De Volder, Untitled, 2018

Beto De Volder
Untitled, 2018
Acrylic and graphite on clayboard
11h x 14w in
27.94h x 35.56w cm
BDV009
 

Beto De Volder Untitled, 2018


Beto De Volder
Untitled, 2018
Acrylic and graphite on clayboard
11h x 14w in
27.94h x 35.56w cm
BDV007

Anne Lindberg

murmur, 2018

cotton thread, staples

60h x 140w x 16d in
152.40h x 355.60w x 40.64d cm

ALi007

microwave, x, 2018
Josée Bienvenu Gallery, New York
Installation view

microwave, x, 2018
Josée Bienvenu Gallery, New York
Installation view

Romany Eveleigh, One Liners, 2017


Romany Eveleigh
One Liners, 2017
Oil pastel on paper
13.98h x 85.04w in
35.50h x 216w cm
RE004
 

Marco Maggi, Question Mark, 2018


Marco Maggi
Question Mark, 2018
Cut self adhesive archival stickers on roller
6h x 4w in
15.24h x 10.16w cm
MM052
 

Marco Maggi, Label Lab (on Black), 2018


Marco Maggi
Label Lab (on Black), 2018
Cuts on self adhesive archival paper on museum board
14h x 11w in
35.56h x 27.94w cm
MM027
 

Celeste Fitcher

Run on Sentence, 2016

Graphite on grid paper

12h x 9w in
30.48h x 22.86w cm

CF003

Adam Henry, "Days of Envelope Filter", 2018


Adam Henry
"Days of Envelope Filter", 2018
Watercolor, ink on paper
11h x 14w in
27.94h x 35.56w cm
AdH010
 

microwave, x, 2018
Josée Bienvenu Gallery, New York
Installation view

Luis Urculo, Atlas, 2018

Luis Urculo
Atlas, 2018
Watercolor and ink on paper
14.50h x 10.50w in
36.83h x 26.67w cm
LU005
 

Luis Urculo, Atlas, 2018


Luis Urculo
Atlas, 2018
Watercolor and ink on paper
14.50h x 10.50w in
36.83h x 26.67w cm
LU006
 

Ana Tiscornia, Green Diamond, 2018


Ana Tiscornia
Green Diamond, 2018
collage on manifold file cards
17h x 25.75w in
43.18h x 65.41w cm
AT001
 

Sam Roeck, The Outsider, 2018


Sam Roeck
The Outsider, 2018
Graphite on paper
30h x 22w in
76.20h x 55.88w cm
SR001
 

microwave, x, 2018
Josée Bienvenu Gallery, New York
Installation view

Alicia Mihai Gazcue, Punto cruz, 1972


Alicia Mihai Gazcue
Punto cruz, 1972
Pencil and thread on notebook
4.25h x 5.50w in
10.79h x 13.97w cm
AMG001
 

Cy Twombly

Untitled, 1961

Ink & colored pencil on paper

13.50h x 9.25w in
34.29h x 23.50w cm

CT001

Jonathan Rider, Untitled, 2018


Jonathan Rider
Untitled, 2018
Cardboard on wood
8.50h x 5.10w in
21.59h x 12.95w cm
JR001
 

Liliana Porter

To hold the string (with white tshirt)

29h in
73.66h x 1.98w x 2.31d cm

LPo001

Liliana Porter

To hold the string (with white tshirt)

29h in
73.66h x 1.98w x 2.31d cm

LPo001

Ana Bidart, Tiro Al Blanco, 2018


Ana Bidart
Tiro Al Blanco, 2018
Acrylic paint and graphite on canvas
64h x 12w in
162.56h x 30.48w cm
ANB35ASX002
 

Ana Bidart, Jonathan Callan, Romany Eveleigh, Celeste Fichter, Adam Henry, Anne Lindberg, Marco Maggi, Alicia Mihai Gazcue, Liliana Porter, Jonathan Rider, Sam Roeck, Ana Tiscornia, Richard Tuttle, Cy Twombly, Luis Urculo, Beto De Volder

microwave, x

December 22, 2018 – January 26, 2019

Brunch reception: December 22, 2018 from 11am to 2pm

"No pretext, no effect, no message: microwave identifies an international group of artists who deliberately reduce their movements and expressive media. These artists imperceptibly move their fingertips to create works of precision and minimal displacement in a quasi-monochromatic context: syntheses and syntactics that recall the reductionism of genetic maps or binary codes. But this intimacy doesn’t require mouse or keyboard, it is a dialogue of fingertips: art positively digital. The works stand on the borderline between drawing, knitting and writing. A meticulous discipline of the close-up at the antipodes of the instantaneous and the remote control." (microwave, one, catalogue, 123 Watts, 1999)