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Born 1957 Montevideo, Uruguay. Lives and works
in New York and Montevideo.
Education
MFA, State University of New York, New Paltz, NY
Selected One-Person Exhibitions
2012
Galeria Cayon, Madrid Spain
Lentissimo,The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY
Bienal de Cuenca, Ecuador
2011
Xippas arte contemporaneo, Montevideo, Uruguay
From Huguenot to Microwave, Dorsky Museum, New Paltz, NY
Optimismo Radical, NC-arte, Bogota, Colombia
2010
Global Myopia, Art Public, Art Basel Miami Beach, Miami, FL
American Ream, Syracuse University, Palitz Gallery at Lubin House, New York
PARKING ANY TIME, Josée Bienvenu Gallery, New York
Infinitesimal, Galería el Paseo, Punta del Este, Uruguay
2009
American Ream, Warehouse Gallery at Syracuse University, Syracuse, NY
Slow Scandal, Point of Contact Gallery, Syracuse University, Syracuse, NY
Cubic Drops, Hosfelt Gallery, San Francisco, CA
2008
Hipo-Real, Nara Roesler Gallery, Sao Paulo, Brazil
Slow Politics, Sicardi Gallery, Houston, Texas
2007
by disappointment only, Josée Bienvenu Gallery, New York
2006
Profiles: The Ted Turner Catalog (from CNN to DNA), Hosfelt
Gallery, San Francisco, CA
2005
The Ted Turner Collection, Complete Coverage, Josée Bienvenu
Gallery, New York
El Papel Del Papel, Centro Colombo Americano, Bogota,
Columbia
Hotbed e Altre Storie, Vitamin Arte Contemporanea, Torino,
Italy
From DNA to CNN, Sicardi Gallery, Houston, TX
2003
Constructing & Demolishing, Cristinerose | Josée Bienvenu
Gallery, New York
exPECTACLE, Hosfelt Gallery, San Francisco, CA
Construcciones & Demoliciones, dibujos en español,
Centro Cultural Reina Sofia, Montevideo, Uruguay
2002
Hotbed Online, Sala Uno, Rome, Italy
PreColumbian & PostClintonian, Sicardi Gallery, Houston, TX
Micro Macro, DAN Galeria, Sao Paulo, Brasil
2001
Global Myopia, Kemper Museum of Contemporary Art, Kansas
City, MO
BITniks, Hosfelt Gallery, San Francisco, CA
2000
The Pencil Monologues, 123 Watts, New York
Hardware vs. Software, Miller & Block Gallery, Boston,
MA
micro, macro, mArco, Solo Project, 123 Watts/ARCO, Madrid
1999
From Freezer to Microwave, Hosfelt Gallery, San Francisco,
CA
1998
Techtonic, 123 Watts, New York
Selected Group Exhibitions
2012
Museum of Latin American Art, Long Beach, California
2011
Beyond the Chaos Between Intelligence and Beauty, Osart Gallery, Milan, Italy
Extranatureza, 6th Ventosol - International Biennial of Contemporary Art in Curitiba
2010
Colorado University Art Museum, Boulder, CO
In Transition: 2010 CIFO Grants & Commissions Program Exhibition, Cisneros Fontanals Art Foundation, Miami, FL
Optimismo Radical, Josée Bienvenu Gallery, New York
XVII Bienal de Guatemala, Centro Cultural Metropolitano (CCM), Guatemala City
Works from the Daros LatinAmerica Collection, Fundacíon Banco Santander, Madrid, Spain
2009
How Soon is Now: Contemporary Art From The Permanant Collection, DePauw University, IN
TEOR/éTica: 10th Anniversary, TEOR/éTica, San Jose, Costa Rica
Collecting History: Highlighting Recent Acquisitions, LA MoCA, Los Angeles, CA
Paper Trail v.5 Intimate Gestures, Judi Rotenberg Gallery, Boston, MA
WALL ROCKETS, Contemporary Artists and Ed Ruscha, Curated by Lisa Dennison, Albright Knox Gallery, Buffalo, NY
White Noise, DePauw University, Indiana
Cutters, Leubsdorf Gallery at Hunter College, New York & Hunterdon Museum of Art, Clinton, NJ
Under the Knife, Museum of Art and Design, New York
Site Mapping, University of Massachusetts, Amherst, MA
Leaded: The Materiality and Metamorphosis of Graphite, Memorial Art Gallery, University of Rochester, Rochester, NY
2008
New Perspectives in Latin American Art, 1930–2006: Selections from a Decade of Acquisitions, Museum of Modern Art (MoMA), New York
Lightness and Roughness of the Line, Nara Roesler, Sao Paulo, Brazil
Freehand, Arratia, Beer gallery, Berlin, Germany
Drawn to Detail, DeCordova Museum and Sculpture Park, Lincoln, MA
Uncoordinated, Contemporary Arts Center, Cincinnati, OH
Turning Point: The Demise of Modernism and Rebirth of Meaning in American Art, Brigham Young University Museum of Art, Provo, UT
WALL ROCKETS: Contemporary Artists and Ed Ruscha, Curated by Lisa Dennison, FLAG Art Foundation, New York
2007
From a Drawing Standpoint, Leo Fortuna Gallery, Hudson, NY
Leaded: The Materiality and Metamorphosis of Graphite, Joel and Lila Hartnett Museum of Art, University of Richmond, Richmond, VA, traveling to Bedford Gallery at the Dean Lesher Regional Center for the Arts, Walnut Creek, CA
Poetics of the Handmade, Museum of Contemporary Art, Los Angeles, CA
ARCO, Project Room with Marti Cormand, Josée Bienvenu Gallery, Madrid,
Spain
2006
Off/Fora, 29th Pontevedra Biennial, Pontevedra, Spain
Gyroscope, Hirshhorn Museum, Washington DC
Art on Paper, Weatherspoon Museum, The University of North Carolina at Greensboro, NC
Art Rock, Rockefeller Center Plaza, New York
Paper Trails, Howard House Contemporary Art, Seattle, WA
Skirting the Line: Conceptual Drawing, Peeler Art Center, DePauw University, Greencastle, IN
Estrecho Dudoso, TEORetica, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica
Table Top, Josée Bienvenu Gallery, New York
Poetics of the Handmade, Museum of Contemporary Art, Los Angeles, CA
Micro and Soft on Macintosh Apple (With Ken Solomon), Lewis B. and Dorothy Cullman Education and Research Building, Museum of Modern Art, New York
2005
Video Box (with Ken Solomon), Centro Cultural Reina Sofia, Montevideo, Uruguay
Drawing From the Modern 1975-2005, Museum of Modern Art,
New York
Pages, iSpace, University of Illinois at Urbana-Champagne,
Chicago, IL
Micro & Soft on Macintosh Apple, RISD Museum (with Ken Solomon), Providence, RI
Drawing: Six Perspectives, Amelie A. Wallace Gallery, Old Westbury,
NY
Minimalist Art Now, The Elvehjem Museum of Art, University of Wisconsin,
Madison, WI
2004
Fifth Gwangju Biennial, Korea
Happy Days are Here Again, David Zwirner Gallery, New
York
Trienal Poligráfica de San Juan, Puerto Rico
Drawing a Pulse, University of Michigan, School of Art and Design,
Ann Arbor, MI
Newpapers, Cristinerose | Josée Bienvenu Gallery, New York
microwave, Sicardi Gallery, Houston, TX
Troy Story, Hosfelt Gallery, San Fransico, CA
Micro & Soft on Macintosh Apple (with Ken Solomon), Cristinerose
| Josée Bienvenu Gallery, New York
Indivisible Cities, Bill Maynes Gallery, New York
2003
inCUBAdora, VIII Havana Biennial, Cuba
Vision & Revision: Works on paper since 1960, Museum
of Fine Arts, Boston, MA
A Fine Line: Artists Who Draw, Museum of Art and History,
Santa Cruz, CA
Pages, Cristinerose | Josée Bienvenu Gallery, New York
IV Biennial del Mercosur, Porto Alegre, Brazil
Paper, Hosfelt Gallery, San Francisco, CA
2002
25th Sao Paulo Biennial, Sao Paulo, Brazil
Museo de Arte Contemporaneo de Buenos Aires, Argentina
Selection from the 25th Sao Paolo Biennial, Museum of Contemporary
Art, Santiago, Chile
YesteryearNowadays, Hales Gallery, London, England
Residency, Civitella Ranieri Foundation, Civitella, Italy
The Microwave, Cristinerose | Josée Bienvenu Gallery, New York
Itinerancia do Mercosur, La Caixa, Brasilia, Brazil
2001
Mercosur Biennial, Porto Alegre, Brazil
By Hand: Pattern, Precision & Repetition in Contemporary
Drawing,
University Art Museum, University of California, Long Beach, CA
2000
From the inside out - landscapes reconsidered, San Jose
Institute of Contemporary Art, San Jose, CA
Meat Market Art Fair, 123 Watts, New York
Mapping, Territory, Connections, Galerie Anne de Villepoix,
Paris
Extraordinary Reality, Columbus Museum, Columbus, OH
Prints 2000, Bard College for Curatorial Studies, Annandale
on Hudson, NY
Drawing on Tradition, Fuller Museum, Brockton, MA
Horror Vacuui, Mark Moore Gallery, Los Angeles, CA
Introducing... Gallery Joe, Philadelphia, PA
1999
Microwave, one, 123 Watts, New York
Summer Voices, Miller & Block Gallery, Boston, MA
New Work: Drawing, Hosfelt Gallery, San Francisco, CA
Selected Bibliography
Press
2010
Zamudio, Raul, Marco Maggi, ARTNEXUS
2009
Hunter, Becky, Interview with Marco Maggi, WHITEHOT MAGAZINE, March
2008
Smee, Sebastian. Filling in the blanks, The Boston Globe, September 12
Uruguaio dá volume ao tempo em exposição, Folha de S.Paulo, August 25
Hirszman, Maria. A arte latino-americana em alta, O Estado de Sao Paulo, August 23
Pedrosa, Adriano. Slow Politics, Exhibition catalogue, Nara Roesler gallery, Sao Paulo, Brazil
MacAdam, Alfred. Marco Maggi, ARTnews, January
2007
O’Steen, Daniel, X-Acto Science, Art + Auction
Tiscornia, Ana, Marco Maggi, To Be Looked at Closely, Arte al Dia International
Yoshpe, Sheila, A Slow Walk with artist Marco Maggi, Roll Magazine
2006
Baker, Kenneth, Artist Reveals Slivers of Information in S.F.
Shows, San Francisco Chronicle, April 8
2005
Gonzalez, Julieta, San Juan Triennial: Latin America and the Carribean, ArtNexus, No, 56, Vol. 3
Schwendener, Martha. Marco Maggi, The Ted Tuner Collection, TimeOut New York, Issue 500, April 28- May 4
The Ted Turner Collection: Report from the Battlefield (Paper on Uccello), Cabinet,
Issue 17
2004
Jana, Reena. How It Was Done: Paper Cuts, Art on Paper, November/December
Levin, Kim. New papers, Village Voice, July 21-27
Baker, Kenneth. Hosfelt Gallery show suggests we’re blinded by information, San Francisco Chronicle, July 10
Baker, Kenneth. ArtNews, April
Weyland, Jacko. American splendor, TimeOut New York, Issue 440, March 4-11
Church, Amanda. "Pages" at Cristinerose/Josée Bienvenu Gallery, Art on Paper, March-April
2003
B.L., Arte: Marco Maggi En El CCE, Caras Caretas,
May 9
Baker, Kenneth. Look closely: It's not what you think. 'Warped'
works play tricks with space, San Francisco Chronicle,
September 20, page D10
Barliant, Claire. The Microwave, Art on Paper,
January - February
Bing, Alison. Raising Expectations, sfgate.com,
September 18-24
Levin, Kim. Marco Maggi, Village Voice,
May 20
MacAdam, Barbara A. Marco Maggi, ARTnews,
November
MacAdam, Barbara A. Marco Maggi, Review: Literature
and Arts of the Americas, Fall
Nichols, Matthew Guy. Marco Maggi at Cristinerose/Josée Bienvenu, Art
in America, December
Phillips, Patricia. Constructing and Demolishing: manual to settle
sediments, Art Journal, Vol. 62, No. 3, Fall
Scott, Andrea. Marco Maggi, Time Out New York,
May 15-22
Sholis, Brian. Pages, Artforum.com, December
18
Tiscornia, Ana. Marco Maggi, ArtNexus,
September to November
Unending Beginnings: The Graphic Work of Marco Maggi, Southward
Art: Latin American Art Review, Year 4, Issue 8, February
Wasserman, Sara. Report from Italy: Roma Renovatio, Art
in America, June
Waxman, Lori. Marco Maggi, ArtForum.com,
April-June
2002
Cresci, Simona. Marco Maggi alla Salla 1, Time Out
Roma, September
Gonçalves, Lisbeth Rebollo. Contemporary Art at the 3rd
Mercosur Biennial, ArtNexus, March
Hirszman, Maria. Um susurro sobre a falta de sentido do mundo,
O Estado de Sao Paulo, July 20
Johnson, Ken. The Microwave, The New York Times,
October 4
Machado, Alvaro. Marco Maggi, faz arte a curta distancia, Folha
de Sao Paulo, July 20
Marco Maggi, Veja Sao Paulo, July 31
Pedrosa, Adriano. Marco Maggi -Sao Paulo Critic’s Pick, ArtForum.com,
August
Schroth, Mary. Dalle Bienale Di Sao Paulo alla Salla Uno, La
Stampa, September
2001
Amarante, Leonor. Ecos Globais, Bravo! ,
Sao Paulo, March
Caniglia, Julie. Marco Maggi, 123 Watts, Artforum,
March
MacAdam, Barbara A. The Micro Wave, Art News,
April
Scott, Andrea K. Marco Maggi, The New Yorker,
January 29
2000
A.C, Las Diez Mejores Galeries dela Feria, ABC Cultural,
February 12
Baker, Kenneth. Contemporary Works at Hosfelt, San
Francisco Chronicle, August 7
E.A., Lo Ultimo de EE UU, El Pais, February 12
McQuaid, Cate. Landscapes plumb the divine; drawings trace the
intricate, The Boston Globe, May 25
1999
Porges, Maria. Marco Maggi, Hosfelt Gallery, ArtForum,
December
1998
Levin, Kim. Short List, Village Voice,
December 15
Other Publications
100 Latin American Artists, EXIT Publishers, Madrid,
Spain, 2006
Vitamin D, New Perspectives in Drawing, Phaidon Press, New York,
NY, 2005
Gwangju Biennial, catalog, text by Marco Maggi, 2004
Havana Biennial, catalog, text by Ana Tiscornia, 2003
IV Mercosur Biennial, catalog, text by Gabriel Peluffo, 2003
Construcciones & Demoliciones, essay by Robert Hobbs, Centro
Cultural Reina Sofia, Montevideo, Uruguay, 2003
Weintraub, Linda. Being Gently Subversive, In
The Making: Creative Options for Contemporary Art, d.a.p.
Sao Paolo Biennial, catalog, text by Marco Maggi, 2002
III Mercosur Biennial, catalog, text by Angel Kalemberg, 2001
By Hand: pattern precision and repetition in
contemporary drawing,
University Art Museum, text by Marie-Kay Lombino, College of the
Arts, California state University, Long Beach, 2001
Marco Maggi: Global Myopia, text by Dana Self, Kemper
Museum of Contemporary Art, Kansas City, MO, 2001
The Pencil Monologues, introduction by Josée Bienvenu, 123 Watts,
New York, 2000
Drawing on Tradition, texts by Denise Markonish,
Fuller Museum of Art, Brockton, MA, San Francisco, CA, 1999
Microwave, one, introduction by Josée Bienvenu, text by Marco Maggi,
123 Watts, New York,
Techtonic, essay by Linda Weintraub, 123 watts, New York, 1998
Public and Corporate Collections
Syracuse University, NY
Walker Arts Center, Minneapolis, MN
Halle Collection, Scottsdale, AZ
The Rachofsky House, Dallas, TX
Museum of Contemporary Art, Los Angeles, CA
El Museo del Barrio, NY
Whitney Museum of American Art, NY
The Drawing Center, NY
Daros Foundation, Zurich, Switzerland
Museum of Modern Art, NY
Hirshhorn Museum and Sculpture Garden, Washington D.C.
Museum of Fine Arts, Boston, MA
Fine Arts Museums of San Francisco, San Francisco, CA
The Judith Rothschild Foundation, NY
Cisneros Collection, NY
Indianapolis Museum of Contemporary Art, Indianapolis, IN
Kemper Museum of Contemporary Art, Kansas City, MO
Progressive Corporation, Mayfield Village, OH
San Jose Institute of Contemporary Art, San Jose, CA
Starwood Urban, Washington, DC
The Sprint Corporation, Overland Park, KS
American Express, NY
Dacra, Miami, FL
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